Peter Graham
Peter Graham is an accomplished British composer most known for his brass band pieces. Graham studied at the University of Edinburgh, Edward Gregson at Goldsmiths College, and the University of London. After receiving his PhD in composition, he spent several years in New York City working as a freelance composer and arranger.
Peter Graham has composed many pieces that are performed globally and are frequently chosen as contest pieces for major bras band competitions. The piece that is often credited with establishing his place in the brass band community is Dimensions. Since then, Graham has created a substantial body of work that is highly celebrated within the brass band community. Works such as Metropolis 1927, Windows of the World, and On the Shoulders of Giants.
Dimensions by Peter Graham, performed by the Bon-Accord Silver B Band.
This piece established Grahams lace in the brass band genre. The piece presents a range of technical and musical challenges, testing the abilities of various sections within the ensemble. Due to its demanding nature and artistic merit, Dimensions has been used as a test piece for brass band competitions and remains a popular choice for performances.
Windows of the World by Peter Graham, performed by the Yorkshire Building Society Band at the Gala Concert of the 2000 European Brass Band Championships.
On the Shoulder of Giants by Peter Graham, performed by the Black Dyke Band.
On the Shoulders of Giants pays tribute to the rich heritage of American brass playing and the virtuosos who have shaped its legacy. Through its three movements, Graham draws inspiration from iconic elements such as the powerful sound of the Chicago Symphony Orchestra's brass section, the influence of jazz legends like Miles Davis and Tommy Dorsey, and the dazzling virtuosity of performers from the Sousa Band era. The title itself reflects the idea that contemporary musicians stand on the foundation laid by these "giants" of the past.
Metropolis 1927 by Peter Graham, performed by the Black Dyke Band.
As someone who got to play in youth brass bands, Peter Graham is a name that I’ve encountered before. I think his music embodies why brass bands are so enjoyable to be apart of. The music can be really difficult, but it’s so melodic and has such a wide range of emotions that you as the player just get drawn in. I also predicate that he gives the low brass sections more to do than just playing chords the whole time, and really shows what the whole range of a brass ensemble is capable of.
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